Come to think of it...no one in this movie has much to do with the exception of Jackson. That may be why I didn't like this movie that much. Samuel L. Jackson "devours the scenery" and just about everything else. He has a powerful screen presence and the movie clearly plays this up to the hilt.
Unfortunately, the bad-guys (one white; the other His panic... I guess you need to be "PC" these days) are neither very mean nor very smart. Shaft seems the meanest of the bunch... i just loved the sound-effects that accompanied his gun being fired.
The story involves the cold-blooded murder of an upscale black man by the wealthy son of a very powerful, but buffoonish, white businessman. The murderer has the presence of mind to threaten the witnesses into silence. Onto the scene comes Shaft, the only cop who seems to care about the killing. I guess this is another sign of the "uncaring, distant" police force. Maybe this is Shaft's motivation for spending the next two years bringing the murderer to justice after he quickly walks. Thanks to the "uncaring, distant" justice system. I have no clear idea why Shaft becomes obsessed with this particular case and this is the reason for my rating.
The rest of the movie is your standard action movie where everyone on the streets of New York are idiots and Shaft is head-and-shoulders above them in the IQ department. The white murder (played by ????? of "American Psycho") is basically type-cast here. Rather then letting his father help with advice and political connections, the son decides to take matters into his own hands and hires a Hispanic drug dealer (Richard Wright???)). The drug dealer is the funniest character mainly because of his heavy accent (oops... PC again). The final shoot-out proves once again that "a man with a 45 is easily better than one with a machine gun".
All images © 2000 Munich Film Partners & Company (MFP)
Shaft Productions
New Deal Productions
Paramount Pictures